Wednesday, September 10, 2014

Summer Movies


Last Sunday’s readings seemed to be about man’s sinfulness and the importance of forgiveness.    The first reading from Ezekiel describes the need to warn the wicked of their sins, and in the gospel Jesus says, “If your brother sins against you, go and tell him his fault between you and him alone. If he listens to you, you have won over your brother.”  Then He follows up with: “Amen, I say to you, whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed in heaven.”  (Matthew 18:15,18)
The concept of sin is becoming passé.  In a world of moral relativism where there are no absolute truths, everyone is free to rationalize their actions and decide for themselves what is right and wrong.  Human nature being what it is, we all have a tendency to make excuses for ourselves.  In doing so, we suppress our conscience either by ignoring it, or failing to form it properly in the first place.  As society becomes more focused on the primacy of absolute individual freedom, we take for granted the commonly held belief that we’re all entitled to happiness as defined by pleasure, convenience, and freedom from consequences.  The notion that anything could be intrinsically evil is considered a vestige of archaic superstition.  Is it any wonder then that the entertainment world glorifies sex and violence, while downplaying and even ridiculing modesty, chastity, self-control, and meekness. 
Not surprisingly, in a world where we have become desensitized to the immorality of violence and promiscuity, the importance of marriage and family have also been demeaned.  Why marry and assume the “burden” of commitment and children if it interferes with the pursuit of pleasure and freedom?  Consequently, 50% of all adults in the USA are now single, compared to 34% just a few decades ago.  The rights of consenting adults now takes precedence over almost everything, including the right of children to be raised by both of their biological parents, or the responsibility to be faithful to sacred vows.  This seems to be the agenda of the entertainment industry.  When a wholesome program or movie manages to make it to TV or the big screen, it is demeaned by reviewers and ignored by those showering awards on programs that glorify violence or promote the GLBT agenda.  Case in point: Modern Family earned its 3rd Emmy for comedy, despite The Middle having an audience twice the size.
On a positive note, this has been a pretty good summer for movies with a moral message.  The first of the year was Son of God which depicted the life and death of Jesus.   Heaven is for Real told of the struggle of a preacher whose son had a near death experience that shakes the faith of his family.  The Giver, portrays the bleak future where freewill has been removed, along with any awareness of the evil of euthanasia.  Although not overtly religious, Magic in the Moonlight is a quirky British piece about a narcissistic atheist and avowed skeptic who believes that love is nothing more than an illusion and there is no meaning to life.  Early in the film he quotes Thomas Hobbes describing humanity, saying: “And the life of man (is) solitary, poor, nasty, brutish, and short.”  His belief (or lack thereof) made him an absolute boor and snob, but in the end he is won over by the power of love that gives meaning to his life.  When the Game Stands Tall recounts the real life story of a high school football coach who turns down numerous lucrative offers because he believes his calling is to turn boys into men by teaching the virtues of self-discipline,  hard work, and teamwork.  Even the raucous Guardians of the Galaxy had a few scenes depicting the importance of self-sacrifice for the good of others.  Although I have not seen it yet, God is Not Dead portrays the debate between an atheistic philosophy professor and his defiant student who carries the day.  The Identical tells the story of twins separated at birth.  One becomes a famous musician, and the other is expected to follow his father into the ministry, despite his musical talent.  Later this year, Exodus will be released, telling the story of Moses and the Israelites.  Hopefully it will be more accurate than Noah which was far from biblical. 
There were other, more overtly religious movies that got little attention and poor reviews, but the point is that the public seems to want more wholesome movies.  It’s doubtful any of the movies cited above will get any attention at the Oscars, but there is a growing audience for movies with a moral message.  One thing these movies seem to have in common is the depiction of the bad things that ensue when morality is abandoned.  Rather than extolling the benefits of absolute freedom and the libertine lifestyle, they point to the consequences of sin and the abandonment of morality.
In many ways, whether we like it or not, media helps shape our culture.  Movies and TV set trends, depicting culture in ways that make certain characters and lifestyles appear to be attractive, if not unrealistic.  They have a way of subverting cultural norms by portraying the glamor and excitement of absolute freedom while diminishing the value of traditional virtues.  We see so much sex and violence in the media that we are led to believe it is the norm, and anyone who infers otherwise is portrayed as an idiot.  St. Pope John Paul II was himself an actor, and he warned us frequently about the influence of the media, even while he encouraged Christians to produce uplifting material to counter the culture of death that is taken for granted in so many movies and TV programs.  This is why Rick Santorum joined EchoLight Studios as CEO.  They produced The Christmas Candle last year, the Redemption of Henry Myers this year, and a half dozen movies before that. 
I guess the point of all this is that it’s easy to overlook sin when it’s represented so attractively.  We need to keep up our guard and seek entertainment that recognizes the fact that evil does exist and so does temptation.   Several of the blockbuster movies this past year upheld the notion that evil must be resisted and overcome.  The latest installments of Spiderman and Captain America for example, as well as Divergent, were examples of the good-guy hero fighting against evil.  But for every movie with a good message, there seem to be 10 that reek of Hollywood’s agenda.

No comments:

Post a Comment